HomeMy WebLinkAboutMUS-131Departmental Policy Syllabus
Revised 7/10/18
Bergen Community College
Division of Business, Arts, and Social Sciences
Department of Visual and Performing Arts
Course Syllabus
MUS-131 Class Piano I
Basic Information about Course and Instructor
Semester and year:
Course and Section Number:
Meeting Times and Locations:
Instructor:
Office Location:
Phone:
Departmental Secretary: [optional]
Office Hours:
Email Address:
Course Description:
This is an introductory course designed to provide fundamental piano instruction.
Prerequisites: none.
Co-requisites: none.
1 lecture, 1 lab, 1 credit
Student Learning Objectives and Assessment:
As a result of meeting the requirements in this course, students will be able to:
Learning Objective Assessment
1. Demonstrate proper piano technique
through the study of scales, arpeggios and
triads using proper hand position.
Performance Test & Quiz
In class exercises
2. Apply appropriate harmonization to simple
folk songs using block chords, albert bass,
waltz bass and broken chords.
Performance Test & Quiz
In class exercises
3. Memorize and perform simple
compositions.
Performance Test & Quiz
In class exercises
4. Demonstrate the ability to sight-read
rhythm and melody with one and two hands in
both treble and bass clef.
Performance Test & Quiz
In class exercises
5. Discover piano repertoire from a variety of
musical genres and styles.
Performance Test & Quiz
In class exercises
Textbook Requirements:
Instructors may select a text from below:
Contemporary Class Piano (latest edition) by Elyse Mach. Oxford University Press.
Alfred’s Adult Piano Book 1 by Willard A. Palmer, Morton Manus, and Amanda Vick Lethco.
Departmental Policy Syllabus
Revised 7/10/18
Students should come to each class prepared with books, handouts, pencils and blank staff
paper. They are required to access the course Moodle site.
Evaluation:
Students are expected to attend all classes. Attendance is 25% of the final grade. Each class
attended will be calculated as .83 point toward the final grade. (.83 X 30 = 24.9) If a student is 20
minutes late for class, or leaves class early, attendance is forfeited for that day.
Attendance 25 % (please read the above information)
Quizzes 25%
Midterm 25%
Final 25%
Assignment details and grading rubrics will be posted on the Moodle site.
90-100 = A 86-89 = B+ 80-85 = B 76-79 = C+ 70 - 75 = C 65-69 = D
E =Unofficial Withdrawal W =Official Withdrawal INC=Incomplete 0–64 = F
Any work turned in late from the original due date shall be deducted by one letter grade. Two
letter grades shall be deducted after the second week from the due date, and three letter grades
after the third week from the original due date. There are no make-up examinations unless
approved in advance by the instructor.
BCC Attendance Policy:
All students are expected to attend punctually every scheduled meeting of each course in which
they are registered. Attendance and lateness policies and sanctions are to be determined by the
instructor for each section of each course. These will be established in writing on the individual
course outline. Attendance will be kept by the instructor for administrative and counseling
purposes. Students will be evaluated on attendance and participation in class using the following
criteria: consistent attendance; evidence of studying text and assignments; completed daily
assignments; quality classroom responses. Each class can potentially count as .837 points
towards the possible 20% score for attendance and participation. A letter grade totaling 20% of
the final grade will be determined by the instructor based upon the aforementioned criteria.
Bergen Community College Academic Policies:
Bergen Community College is committed to academic integrity – the honest, fair and continuing
pursuit of knowledge, free from fraud or deception. Please review the college catalogue or
student handbook for further information on this topic. Bergen Community College has adopted
an internal grievance procedure to provide for prompt and equitable resolution of complaints
alleging any action prohibited by federal regulation implementing Section 504 of the Rehabilitation
Act of 1973, as amended, and the Americans with Disabilities Act of 1990. (ADA). Please review
the college catalogue for further information on this topic.
Bergen Community College is committed to providing its students and employees with an
academic and work environment free from sexual harassment or discrimination. Please review
the policy prohibiting sexual harassment in the college catalog. Please review the statement on
acceptable use of BCC technology in the college catalog. Faculty hold 3 office hours per week,
and as requested by students, by appointment. Students are encouraged to seek out their faculty
member for academic needs.
Student and Faculty Support Services [optional but recommended]
List support services, e.g., the Writing Center, the Math Lab, the Tutorial Center, Online Writing
Lab (OWL), Office of Specialized Services, etc. Include information on the BCC Library.
Departmental Policy Syllabus
Revised 7/10/18
Example:
Student and Faculty Support Services
The Distance Learning Office –
for any problems you may have
accessing your online courses
Room C-
334
201-612-5581
psimms@bergen.edu
English Language Resource
Center
Room C-
212
http://www.bergen.edu/elrc
The Tutoring Center Room L-
125
201-447-7908
http://www.bergen.edu/tutoring
The Writing Center Room L-
125
201-447-7908
http://www.bergen.edu/owl
The Office of Specialized
Services (for Students with
Disabilities)
Room S-
131
201-612-5270
http://www.bergen.edu/oss
BCC Library – Reference Desk Room L-
226
201-447-7436
Special Note on the Tutoring Center
The Henry and Edith Cerullo Learning Assistance Center encompasses the Tutoring Center,
the English Language Resource Center, and the Writing Center. The website of the Learning
Assistance Center is located at https://bergen.edu/current-students/student-support-
services/tutoring/. Tutoring services are available for this course in the Tutoring Center. I strongly
recommend that you make use of those services as we progress through the course. As listed
above, the Tutoring Center is located in Room L-125, and its phone number is 201-447-7908.
Special Note on the Food Pantry
The Bergen Community College Center for Food Action is available to meet the urgent needs
of members of our campus community. The Food Pantry provides non-perishable food items,
toiletries, and additional support services in an environment that emphasizes discretion and
confidentiality. Anyone needing assistance is encouraged to visit C-111A) Tuesday from 9am-
1pm and Thursday from 2pm-6pm. Monday through Thursday from 9am-4pm and on Fridays
from 9am-3pm. Donations will also be accepted at HS-100. Please call 201-447-7191 for more
information.
Include a Course Outline and Calendar [can be combined in a single syllabus section]
The Course Outline and Calendar must include all of the following elements:
• A daily or (at least) weekly schedule of topics to be covered.
• Dates for exams, quizzes, or other means of assessment. (This does not mean that all
evaluation of students must be in groups and at the same time. Exams and other means
of assessment can be listed as "to be scheduled individually.")
• Due dates for major assignments – e.g., when is a paper due; if the topic has to be
approved, when; if an outline or draft is an interim step, when it is due.
• Any required special events must be included in the outline/calendar, e.g., a lecture by a
visiting speaker, a dramatic or musical performance, a field trip.
• Designation of Student Learning Objectives – by number – for each topic (see sample
below).
• A note to students stating that the course outline and calendar is tentative and subject to
change, depending upon the progress of the class.
Departmental Policy Syllabus
Revised 7/10/18
Sample Format for Course Outline and Calendar
Note to Students: The following Course Outline and Calendar is tentative and subject to change,
depending upon the progress of the class.
Week(s) Date(s) Topics & Assignments Learning
Objectives
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
See the Sample Course Outline and Calendar below.
Course Outline:
The following outline may be revised at the discretion of the instructor. Specific readings
and written assignments will be shared during class meetings and posted on the course
Moodle site.
WEEK TOPIC LEARNING
OUTCOMES
ADDRESSED
1 Student assessment
Technique: introduction to hand position, posture,
5 finger pattern
Sight-reading: as assigned (use of reading exercises to focus
intervallic reading.
Repertoire: as assigned (use of 5 –finger repertoire in keys
C, G,)
Theory: scales (5 finger patterns) group 1 major
1, 3, 4, 5
Departmental Policy Syllabus
Revised 7/10/18
2 Technique- scales (5 finger patterns) group 1 major
Theory – intervals whole steps, half steps, P5 P4 3 and octave
Sight-reading –assignments to feature intervallic reading both
clefs
Repertoire – 5 finger repertoire and scalar melodies, keys of C,
G, D
1, 3, 4, 5
3 Technique- scales (5 finger patterns) group 2 major review of
group 1
Theory – tonic chord. P5 review, 3rds and interval reading
Sharp, flat and natural
Sight-reading – assignments to feature intervallic reading both
clefs
Repertoire – 5 finger repertoire and scalar melodies, keys of C,
G, D, F
1, 3, 4, 5
4 Technique- scales (5 finger patterns) group 2 major and minor
Theory – secondary factors: dynamics
Key signatures identification major keys
Sight-reading – assignments to feature intervallic reading both
clefs
Repertoire – 5 finger repertoire with extended fingerings outside
5 finger pattern in keys of: C, G, D, F, A,
1, 3, 4, 5
5 Technique- scales (5 finger patterns) group 3 major and minor
Theory – secondary factors, slur, tie, legato, staccato
Key signature review
Sight-reading – to include meters of 4/4, 3/4 and 6/8
Repertoire – 5 finger repertoire with extended fingerings outside
5 finger pattern in keys of: C, G, D, F, A, and parallel minor
repertoire
1, 3, 4, 5
6 Technique- scales (5 finger patterns) group 3, major and minor
Theory – tempo markings
Sight-reading – Major, minor 5 finger patterns including meters
of 4/4, 3/4 and 6/8
Repertoire 5 finger repertoire with extended fingerings outside 5
finger pattern in keys of: C, G, D, F, A, and parallel minor
repertoire
1, 3, 4, 5
7 Technique- (5 finger patterns) group 1-3 review major and minor
Theory – cycle of 5ths, tempo markings and other specified
secondary factors
Sight-reading – – Major, minor 5 finger patterns including
meters of 4/4, 3/4 and 6/8
1, 3, 4, 5
Departmental Policy Syllabus
Revised 7/10/18
Repertoire – 5 finger repertoire with extended fingerings outside
5 finger pattern in keys of: C, G, D, F, A, and parallel minor
repertoire
8 Technique- All 5 finger patterns, major and minor
Theory – structure in music ABA, AB, Da Capo.
Sight-reading – – Major, minor 5 finger patterns including
meters of 4/4, 3/4 and 6/8
Repertoire – 5 finger repertoire with extended fingerings outside
5 finger pattern in keys of: C, G, D, F, A, and parallel minor
repertoire
1, 3, 4, 5
9 Technique- scales – C major scale hands alone
Theory – Chords and inversions hands alone. The 6 and 6/4
chord
Sight-reading – Major, minor 5 finger patterns including meters
of 4/4, 3/4 and 6/8
Repertoire – Repertoire with extended fingerings outside 5 finger
pattern in keys of: C, G, D, F, A, and parallel minor repertoire
1-5
10 Technique- scales - C major scale hands alone
Theory – I IV V7 I cadence chords with inversions
(accompaniment patterns)
Parallel major and minor scales, chords and inversions hands
alone
Sight-reading – Major, minor 5 finger patterns including meters
of 4/4, 3/4 and 6/8, increasing in complexity of independent hand
motion
Repertoire – Repertoire with extended fingerings outside 5 finger
pattern in keys of: C, G, D, F, A, and parallel minor repertoire
1-5
11 Technique- scales C minor scale hands alone
Theory – I IV V7 I cadence chords with inversions, parallel
major and minor scale (G major and G harmonic minor) chords
and inversions C, G
Sight-reading – Major, minor 5 finger patterns including meters
of 4/4, 3/4 and 6/8, increasing in complexity of independent hand
motion to include left hand chordal accompaniment
Repertoire – Repertoire with extended fingerings outside 5 finger
pattern in keys of: C, G, D, F, A, and parallel minor repertoire
1-5
12 Technique- scales C minor scale
Theory – I IV V7 I cadence chords with inversions
Relative major and minor scales, chords and inversions C, G, D
Sight-reading – Major, minor 5 finger patterns including meters
of 4/4, 3/4 and 6/8, increasing in complexity of independent hand
motion to include left hand chordal accompaniment
Repertoire – Repertoire with extended fingerings outside 5 finger
pattern in keys of: C, G, D, F, A, and parallel minor repertoire
1-5
13 Technique- scales C major and harmonic minor scale, hands
together
1-5
Departmental Policy Syllabus
Revised 7/10/18
Theory –I IV V7 I cadence chords with inversions
Relative major and minor scales: C, G, D, F.
Sight-reading – as assigned
Repertoire – continuation of repertoire with extended fingerings
outside 5 finger pattern in keys of: C, G, D, F, A, and parallel
minor repertoire
14 Technique- scales – hands together, C, G, D, F, F#
Theory – tonic, supertonic, median, subdominant, dominant,
sub-mediant and Leading tone
Sight-reading – Major and minor 5 finger patterns including
meters of 4/4, 3/4 and 6/8, increasing in complexity of
independent hand motion to include left hand chordal
accompaniment
Repertoire – memorization tips, continuation of repertoire with
extended fingerings outside 5 finger pattern in keys of: C, G, D,
F, A, and parallel minor repertoire
1-5
15 Technique- scales – hands together, C, G, D, F, F#- at even
tempo
Theory – tonic, supertonic, median, subdominant, dominant,
sub-mediant and leading tone
Sight-reading – final exam – performance and written
Repertoire – final exam – performance and written
1-5