HomeMy WebLinkAboutTHR-212
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Bergen Community College
Division of Humanities
Department of Visual & Performing Arts
Course Syllabus
Acting for the Camera
THR 212
Basic Information About Course and Instructor:
Semester and year:
Section Number:
Meeting Times:
Locations:
Instructor:
Office Location:
Phone:
Departmental Secretary: [optional]
Office Hours:
Email Address:
Course Description:
This course permits students to apply the skills introduced in Basic Acting Techniques to
acting for the camera. Through exercises and scene study, students will expand their range of
emotional, intellectual, physical, and vocal expressiveness for the camera. Students will act in
on-camera exercises, television scenes, and film scenes.
3 Credit Hours: (2 lect. 2 lab)
Prerequisite – THR 110 Basic Acting Techniques
Student Learning Outcomes: As a result of meeting the requirements in this course, students
will be able to:
● List Student Learning Outcomes and an appropriate assessment for each:
Student Learning Outcome: Means of Assessment:
1. Demonstrate an ability to perform in
different types of media and genres
including:
▪ Film
▪ Episodic Television
▪ Sitcoms
Reading assignments, in-class performance,
peer evaluations,
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▪ Daytime Dramas
▪ Commercials
▪ Industrials
2. Describe the technical needs to use and
the uniqueness between acting on stage and
acting for the camera.
Reading assignments, written assignments,
examinations
3. Create a “believable” performance by
applying tone and subtleties of acting for the
camera.
In-class performances, peer evaluations
4. Demonstrate an ability to use creative
tools and expressiveness for the camera.
In-class performances, written assignments,
reading assignments, peer evaluations.
5. Adeptly apply technical language used in
the media.
Written assignments, examinations
Course Content:
Acting for the Camera: Students will learn camera acting techniques by being in front of the
camera as much as possible. Students will “crew” scenes their classmates are acting. The class
will include extensive scene memorizations, class discussions, performance critique writing,
and journal self-assessment writing.
Course Texts and/or Other Study Materials:
Required:
• Bernard, Ian. Film and Television Acting: From Stage to Screen. 2nd ed. Focal Press, ISBN:
0240803019
• Tucker, Patrick. Secrets of Screen Acting. 2nd ed. Routledge. ISBN: 0878301771
Recommended Reading:
• Shurtleff, Michael. Audition. Walker & Co. ISMN: 9780802772404
• Caine, Michael. Acting in Film. Applause Theatre Book Publishers ISBN: 9781557832771
• Cohen, Robert. Acting Professionally: Raw Facts About Careers in Acting. 7th ed., McGraw-
Hill Publishing, ISBN 9780230217249
• Barr, Tony. Acting for the Camera. Harper & Row Publishers, ISBN: 0-6-055009-0
• Callan, K. New York Agent Book. Sweden Press, ISBN: 1-878355-13-9
Research, Writing, and/or Examination Requirement(s):
• This is an introduction to acting for the camera course.
• Students will participate in improvisational exercises to increase their spontaneity and
improve their acting skills.
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• Technical film acting exercises will be performed and observed by students.
• Students will audition for roles in front of the class and discuss their audition ‘tapes’ with the
class and instructor.
• Monologues and short scenes from different genres will be performed and filmed by the
students. This will require memorization of multiple scripts over the course of the semester.
• Students will work from in front and behind the camera to more fully understand the
difference in shot selection as well as what is necessary to convey believability in their
performance for the camera.
• A text covering acting for commercials, sitcoms, daytime dramas, industrials, episodic and
film is used. There will be discussions on each chapter throughout the semester.
• Examples of each genre will occasionally be viewed during class time.
• There will be weekly lectures and discussions.
In addition to these assignments, readings will be
Grading Policy:
The final grade in this course will be determined by a student’s overall mastery of the subject
matter as evidenced on exams, projects, presentations, homework assignments, consistent
attendance and quality of class participation.
Attendance/Participation: 15%
Memorization, Preparation & Performance: 50%
On-Camera Monologue: 10%
TV Scene: 15 %
Movie Scene: 15%
Audition: 10%
Critiques: 15%
Mid-term Assessment Paper: 10%
Final Self-Assessment Journal: 10%
Criteria for Evaluation:
This is a skill building course where the grades will be based on the following criteria:
a. Attendance/Participation Your level of participation, enthusiasm, energy, and willingness to
work in this class is of the utmost importance. Watching others shoot a scene can be
tremendously beneficial to your own acting.
b. Memorization, Preparation & Performance – Each time you shoot an exercise, monologue,
or scene in class, you need to come in with the material fully Off-Book.
- All memorization, character choices, and business choices must be done before class.
- It is your responsibility to physically and vocally warm-up before each class. (Relaxation
is very important for camera acting).
- Shut OFF cell phones.
- No food is permitted in class or near any of the video equipment.
c. Critiques – Your ability to self-critique as well as offer constructive criticism is required.
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d. Mid-term Paper –You will write a three page paper on your self-assessment for the first half
of the semester; collecting and evaluating exercises, scenes and monologues.
e. Self-Assessment Papers – You will articulate your on-camera strengths and weaknesses;
reflect on your process when approaching on-camera scene work; track our acting
development and the differences between stage acting and camera acting. The journal
should have a collection of ALL your scene, monologue and critiques.
90-100 = A 86-89 = B+ 80-85 = B 76-79 = C+ 70-75 = C 65-69 = D 0- 64 = F W = Official
Withdrawal INC = Incomplete
Attendance Policy:
• Attendance is mandatory: You cannot learn if you are not here and your fellow students are
deprived of your insights and contributions.
• The Visual & Performing Arts Department policy regarding attendance will be followed.
• The first two (2) unexcused absences will be accepted, after that you will lower your final
grade by one letter grade for each additional absence.
• Three tardies of more than 10 minutes each will equal one absence.
• All handouts and assignments will be given in class; if you miss a class, you are responsible
for getting all handouts and assignments.
• All course paperwork will also be posted on Moodle.
BCC Attendance Policy: All students are expected to attend punctually every scheduled
meeting of each course in which they are registered. Attendance and lateness policies and
sanctions are to be determined by the instructor for each section of each course. These will be
established in writing on the individual course outline. Attendance will be kept by the
instructor for administrative and counseling purposes.
Other College, Divisional, and/or Departmental Policy Statements:
• Bergen Community College is committed to academic integrity – the honest, fair and
continuing pursuit of knowledge, free from fraud or deception. Please review the college
catalogue or student handbook for further information on this topic.
• Bergen Community College has adopted an internal grievance procedure to provide for prompt
and equitable resolution of complaints alleging any action prohibited by federal regulation
implementing Section 504 of the Rehabilitation Act of 1973, as amended, and the Americans
with Disabilities Act of 1990. (ADA). Please review the college catalogue for further
information on this topic.
• Bergen Community College is committed to providing its students and employees with an
academic and work environment free from sexual harassment or discrimination. Please review
the policy prohibiting sexual harassment in the college catalog.
• Please review the statement on acceptable use of BCC technology in the college catalog.
• Faculty hold 3 office hours per week, and as requested by students, by appointment. Students
are encouraged to seek out their faculty member for academic needs.
• All students are encouraged to visit and use the BCC Library. There are particularly excellent
electronic references in the area of music available to our students.
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• Students are encouraged to use the student support services of the college. These services
include: the Writing Center, the music-computer Lab, the Tutorial Center, and the Office of
Specialized Services.
The Distance
Learning Office
– for any
problems you
may have
accessing your
online courses
Room
C-334
201-612-5581
psimms@bergen.edu
The Tutoring
Center
Room
L-125
201-447-7908
The Writing
Center
Room
L-125
201-447-7908
The Online
Writing Lab
(OWL)
On
Line
at:
www.bergen.edu/owl
The Office of
Specialized
Services (for
Students with
Disabilities)
Room
S-131
201-612-5270
The Sidney
Silverman
Library –
Reference Desk
Room
L-226
201-447-7436
Student and Faculty Support Services: [optional but recommended]
Accessibility Statement
Bergen Community College is committed to ensuring the full participation of all students in its
programs. If you have a documented disability (or think you may have a disability) and, as a
result, need a reasonable accommodation to participate in this class, complete course
requirements, or benefit from the College’s programs or services, contact the Office of Special
Services (OSS) as soon as possible at 201-612-5270 or www.bergen.edu/oss. To receive any
academic accommodation, you must be appropriately registered with OSS. The OSS works
with students confidentially and does not disclose any disability-related information without
their permission. The OSS serves as a clearinghouse on disability issues and works in
partnership with faculty and all other student service offices.
Student Support Services
Bergen Community College provides exemplary support to its students and offers a broad
variety of opportunities and services. A comprehensive array of student support services
including advising, tutoring, academic coaching, and more are available online at
https://bergen.edu/currentstudents/.
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•
Sidney Silverman Library Online Resources:
Guides B Subject - https://bergen.libguides.com/index.php
General Search and Databases: https://bergen.edu/library/
Include a Course Outline and Calendar:
Week: Topic/Activity: Learning
Outcomes: Assignments/Events:
1 INTRODUCTION:
Course overview and purpose
Personal Histories.
Discussion of Film/Television
Acting vs. Acting for the
stage.
Review of Acting
Fundamentals
Read:
Ch. 1 - “Acting for the
Camera”
Mid-Term Paper & Final
Journal
2 SPONTANEITY AND
IMPROVISATON – Improv
Exercises, relaxation and
breathing fundamentals.
Discuss Ch. 1
Read:
Ch. 2 “Acting for the
Camera”
3 AUDITIONS
Slating and Cold Readings
Discussion of the
Film/Television casting
process; Agents, Managers &
Casting Directors.
Discuss Ch. 2
Acting exercises.
1, 2, 5
4 TERMINOLOGY AND
STUDIO JARGON
Discussion of film/tv
terminology.
Tour of studio, booth,
equipment.
Acting exercises
1, 2, 5
Commercial copy
5 COMMERCIALS
Introduction/Viewing of
Commercials.
1, 2, 3, 4, 5
Read:
Ch. 3 – “Acting for
the Camera”
7
Shooting Commercials.
Critique/Evaluations Playback
6 COMMERCIALS (CON’T)
Continue shooting and
discussing Commercials.
The Improv Audition.
Cold readings.
Discuss Ch. 3
1, 2, 3, 4, 5
Monologues
7 MIDTERM/MONOLOGUES
Rehearse and shoot
monologues
Watch and critique
monologues.
2, 3, 4
Industrial Copy
Read:
Ch. 4 – “Acting for the
Camera”
8 CORPORATE VIDEOS
Acting Exercises for
Corporate Video.
Shoot Corporate Videos
Critique/Evaluation Playback
Cast Daytime Drama Scripts
Discuss Ch. 4
1, 2, 3, 4
Daytime Drama Copy –
Scene work
9 DAYTIME DRAMA
Shoot Daytime Drama Videos
Critique/Evaluate playback
Cast Sit Com Scenes
Acting exercises.
1, 2, 3, 4
Read:
Ch. 5 – “Acting for the
Camera”
Sit Com Copy
10 SIT COMS
Introduction to Sit
Coms/Viewing
Shoot Sit Com scenes
Camera blocking
Critique/Evaluate playback.
Discuss Ch. 5
1, 2, 4
11 SIT COMS (CON’T)
Continue with shooting Sit
Com scenes.
Critique /Evaluate playback
Acting exercises.
1, 2, 4
Read:
Ch. 6 – “Acting for Camera.
12 FILM
View selected scenes from
films.
Discuss scenes.
Audition technique for Film.
Discuss Ch. 6
1, 2, 3, 4
Film Monologue
Read
Ch. 7 – “Acting for the
Camera”
13 FILM (CON’T)
Shoot Film Monologues
Critique/Evaluate Playback
Cast Film Scenes
Discuss Ch. 7
1, 2, 3, 4
Film scenes
Read:
Ch. 8 – “Acting for the
Camera”
14 FINAL SCENES 1, 2, 3, 4, 5
8
Camera block scenes
Rehearse, run
Evaluate/Critique playback
Discuss Ch. 8
15 FILM SCENES
Final filming.
Viewing Films and
Evaluates/Critiques
Reflections
1, 2, 3, 4, 5
Possible Note to Students: This Course Outline and Calendar is tentative and subject to
change, depending upon the progress of the class.